As we all know, the law of averages dictates that sequels shouldn't be as good as their predecessors, and this attempt to franchise 1999's highly enjoyable, and surprisingly profitable, caper, is no exception. The Mummy Returns (are two further efforts entitled The Mummy Forever and The Mummy And Robin set to follow, one wonders?) was a blockbuster waiting to happen, but for all its slick proficiency and brilliant special effects, it's hard to locate in the over-complicated story any of the innocent, tongue-in-cheek charm that made the first film so enjoyable. This is sequel-making by numbers, where the zealous attempts to outdo the predecessor, (one all-poweful baddy last time - hey! - let's have two this time!) loses sight of the finer points.
Egyptologists unearth a prehistoric relic capable of releasing cataclysmic forces and satanic warriors led by the sinister Scorpion King.
Starring:Brendan Fraser, Rachel Weisz, Dwayne Johnson
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Available to download
Action, Action Sci-Fi & Fantasy, Adventures, Sci-Fi & Fantasy, Fantasy Movies
Exciting
English [Original], German, English - Audio Description, Russian, English [Original], French, English - Audio Description, French, German, Russian, Turkish
Russian, English, French, Turkish, German
Brendan FraserRachel WeiszDwayne JohnsonArnold VoslooAlun ArmstrongPatricia VelasquezJohn HannahAharon IpaleAdewale Akinnuoye-AgbajeOded Fehr
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Directed by
Stephen Sommers |
Writing Credits(WGA)
Stephen Sommers | .. | (written by) |
Cast (in credits order) verified as complete
Brendan Fraser | .. | Rick O'Connell | |
Rachel Weisz | .. | Evelyn Carnahan / Nefertiri | |
John Hannah | .. | Jonathan | |
Arnold Vosloo | .. | Imhotep | |
Oded Fehr | .. | Ardeth Bay | |
Patricia Velasquez | .. | Meela / Anck-Su-Namun | |
Freddie Boath | .. | Alex | |
Alun Armstrong | .. | Mr. Hafez | |
Dwayne Johnson | .. | The Scorpion King (as The Rock) | |
Adewale Akinnuoye-Agbaje | .. | Lock-Nah | |
Shaun Parkes | .. | Izzy | |
Bruce Byron | .. | Red | |
Joe Dixon | .. | Jacques | |
Tom Fisher | .. | Spivey | |
Aharon Ipalé | .. | Pharaoh | |
Quill Roberts | .. | Shafek | |
Donna Air | .. | Show Girl | |
Trevor Lovell | .. | Mountain of Flesh | |
Rest of cast listed alphabetically: | |||
Brian Best | .. | British Museum Mummy (uncredited) | |
Max Cavalera | .. | Scorpion King (voice) (uncredited) | |
Rene Costa | .. | Digger (uncredited) | |
Sean Cronin | .. | High Priest (uncredited) | |
Salem Hanna | .. | Egyptian Digger (uncredited) | |
Paul Sacks | .. | Red Turban Guard (uncredited) | |
Stephen Sommers | .. | Man in Bathtub at Izzy's Place (uncredited) | |
Rocky Taylor | .. | Man in Alley (uncredited) |
Produced by
Sean Daniel | .. | producer |
Bob Ducsay | .. | executive producer |
James Jacks | .. | producer |
Megan Moran | .. | associate producer |
Don Zepfel | .. | executive producer |
Music by
Alan Silvestri |
Cinematography by
Adrian Biddle |
Film Editing by
Bob Ducsay |
Kelly Matsumoto |
Casting By
Joanna Colbert |
Kate Dowd |
Production Design by
Allan Cameron |
Art Direction by
Ahmed Abounouom |
Giles Masters |
Tony Reading |
Set Decoration by
Peter Young |
Costume Design by
John Bloomfield |
Makeup Department
Sonia Akouz | .. | makeup artist |
Sarita Allison | .. | daily makeup artist |
Zineb Bendoula | .. | makeup artist |
Brian Best | .. | special makeup effects artist |
Stuart Bray | .. | special makeup effects artist |
Tricia Cameron | .. | key hair stylist |
Mark Coulier | .. | prosthetics makeup artist |
Catherine Davies | .. | crowd hair supervisor / crowd makeup supervisor |
Beatrice De Alba | .. | hair stylist: Mr. Fraser |
Nick Dudman | .. | special makeup effects artist |
Andrea Finch | .. | 2nd unit hair/makeup supervisor |
Richard Glass | .. | contact lens optician |
Geraldine Jones | .. | hair stylist (as Gerry Jones) |
Sarah Love | .. | hair stylist |
Chris Lyons | .. | special effects teeth |
Laura McIntosh | .. | assistant makeup artist |
Stephen Murphy | .. | creature effects trainee |
Kate Murray | .. | special makeup effects artist |
Ghislaine Nejjar | .. | makeup artist |
Ben Nye Jr. | .. | makeup artist: Mr. Fraser |
Jemma Scott-Knox-Gore | .. | contact lens technician |
Aileen Seaton | .. | key makeup artist |
Paul Spateri | .. | sculptor |
Jane Walker | .. | makeup artist |
Eve Wignall | .. | daily makeup artist |
Production Management
Abdelkrim Abouobayd | .. | supervising production manager: Morocco |
Hamid Araissi | .. | unit production manager |
Abdelhafid Balafrej | .. | production manager: Morocco (as Abdelhafed Balafrej) |
John Bernard | .. | location production manager |
Jo Burn | .. | production supervisor |
Piers Dunn | .. | unit manager: second unit |
Philip Kohler | .. | production manager |
Angus More Gordon | .. | production manager |
Mounir Nassar | .. | production manager: Jordan (as Munir y Nassar) |
Ahmed Sami | .. | production manager: Egypt |
Sean T. Stratton | .. | post-production supervisor |
Don Zepfel | .. | unit production manager |
Ron Lynch | .. | executive in charge of production (uncredited) |
Second Unit Director or Assistant Director
Adil Abdelwahab | .. | assistant director |
Scott Bates | .. | assistant director: second unit |
Peter Bennett | .. | assistant director: second unit |
Driss Chouika | .. | second assistant director: Morocco |
Jamie Christopher | .. | key second assistant director |
William Dodds | .. | third assistant director |
Simon Downes | .. | second assistant director: Morocco |
Rachid Gaidi | .. | assistant director |
Mira Husseini | .. | dailies assistant director |
Dan John | .. | additional second assistant director |
Cliff Lanning | .. | first assistant director |
Greg Michael | .. | second unit director |
Maya Mufti | .. | second assistant director: Jordan |
Jackie Sawiris | .. | first assistant director: second unit |
Matthew Sharp | .. | second assistant director: second unit |
Keith Young | .. | second assistant director: Morocco |
Art Department
Robert Allen | .. | construction buyer |
David Balfour | .. | property master |
Chloé Barbier | .. | art department coordinator |
Sarah Bicknell | .. | art department assistant (as Sarah Stuart) |
Lee Biggs | .. | carpenter |
Mark Buck | .. | plasterer |
James Buxton | .. | carpenter (uncredited) |
Alex Cameron | .. | draughtsman |
Paul Cheesman | .. | dressing propman |
Sophia Chowdhury | .. | sculptor |
Dean Clegg | .. | storyboard artist |
Marlon Cole | .. | props storeman |
Stephanie Conrad | .. | painter |
Bryn Court | .. | sculptor |
Jakub Durkoth | .. | propmaker |
Andy Evans | .. | construction manager |
Mark Geeson | .. | trainee prop |
James Gemmill | .. | scenic artist |
Daniel Gommé | .. | art department/Set Dresser |
Larry Gooch | .. | painter |
Aziz Hamichi | .. | art department assistant / assistant to art director |
Emma Hanson | .. | sculptor |
Terry Heggarty | .. | painter |
Robert Hill | .. | chargehand stand-by |
Patricia Johnson | .. | draughtsman |
Yanal Kassay | .. | set dresser |
Scott Keery | .. | props |
Clare Macdonald | .. | art department coordinator |
Blake Maslin | .. | greens |
Hank Mayo | .. | concept designer |
Duncan McDevitt | .. | propmaker |
Mélanie McNicoll | .. | scenic painter |
Joe Monks | .. | supervising painter |
Allan Owen | .. | uncredited |
Darryl Paterson | .. | dressing props |
Sami Rafe | .. | art department researcher |
Jacques Rey | .. | illustrator |
Amin Rharda | .. | assistant production buyer |
Danny Rogers | .. | graphic designer/sign designer |
Keith Short | .. | head sculptor |
Ross Slater | .. | rigger |
Roland Stevenson | .. | propmaker |
Sophie Tarver | .. | propmaker |
Gregor Telfer | .. | props |
Derek Thompson | .. | creature design: ILM |
Gary Tomkins | .. | assistant art director |
Bradley Torbett | .. | chargehand stand-by propman: second unit |
Jason Torbett | .. | stand-by property master |
John Wells | .. | assistant propmaster |
William Wells | .. | props (as Billy Wells) |
David Wescott | .. | supervising painter |
Paul Wescott | .. | hod scenic painter |
Marcus Williams | .. | scenic artist |
Paul Couch | .. | stand-by painter (uncredited) |
Jack Garwood | .. | dressing props (uncredited) |
Dennis Murray | .. | supervisor plasterer (uncredited) |
Sound Department
Rick Ash | .. | re-recording mixer |
Ronald Bailey | .. | sound mixer: second unit |
Phillip Blackford | .. | sound mix technician |
Andrew Bock | .. | assistant sound editor |
Eddie Bydalek | .. | sound recordist |
Valerie Davidson | .. | sound editor |
Henry Dobson | .. | dubbing supervisor: international versions |
Malcolm Fife | .. | sound effects editor |
Stephen Gilmour | .. | sound maintenance |
Peter Glossop | .. | production sound mixer |
Jonathan Klein | .. | supervising foley editor |
Tom Lalley | .. | sound re-recording engineer |
Michael Magill | .. | supervising dialogue editor |
Shaun Mills | .. | boom operator |
Michael Minkler | .. | re-recording mixer |
Alyson Dee Moore | .. | foley artist |
Jon Olive | .. | sound effects editor |
David Parker | .. | re-recording mixer |
Tim Rakoczy | .. | assistant sound editor |
Karym Ronda | .. | boom operator: second unit |
Ann Scibelli | .. | sound effects editor |
Leslie Shatz | .. | sound designer |
Danial Shimiaei | .. | sound re-recording stage engineer |
Greg Steele | .. | adr mixer |
Eric Thompson | .. | adr mixer |
Ian Voigt | .. | sound mixer: second unit |
Dylan Zukerman | .. | boom operator |
David A. Cohen | .. | adr editor: temp (uncredited) |
Craig Henighan | .. | sound effects editor (uncredited) |
Michael Orlowski | .. | field recordist (uncredited) |
Martin Schloemer | .. | adr recordist (uncredited) |
Carolyn Tapp | .. | foley recordist (uncredited) |
Special Effects by
Alistair Anderson | .. | special effects technician |
Norman Baillie | .. | special effects buyer |
Chris Barton | .. | animatronic model designer |
Caimin Bourne | .. | special effects technician |
Christopher Brennan | .. | special effects assistant technician |
David Brighton | .. | special effects head technician |
Simon Cockren | .. | special effects technician |
Neil Corbould | .. | special effects supervisor |
Steve Cullane | .. | special effects head technician |
Karl Derrick | .. | animatronic model designer |
Jabin Dickins | .. | special effects technician |
Nick Dudman | .. | live-action creature effects supervisor |
Raymond Ferguson | .. | senior technician |
David Hunter | .. | special effects supervisor (as Dave Hunter) |
Andy Lee | .. | foamer |
Carol McAulay | .. | special effects coordinator |
Jason McCameron | .. | special effects |
Martin 'Marty' McLaughlin | .. | snow effects technician |
Tim Mitchell | .. | senior special effects technician |
Roger Nichols | .. | senior technician |
Dave Poole | .. | special effects technician |
Graham Povey | .. | special effects technician |
Kieran Reed | .. | previz artist |
Lee Rider | .. | special effects assistant |
Dave Roddham | .. | special effects technician |
Grant Rogan | .. | special effects assistant |
Shaun Rutter | .. | senior sfx technician |
Jim Sandys | .. | animatronic model designer |
Stephen Shelley | .. | snow effects technician |
Alistair Williams | .. | special effects trainee |
Andy Williams | .. | special effects supervisor |
David Williams | .. | supervising wireman (as Dave Williams) |
Trevor Wood | .. | special effects head technician |
Alan Young | .. | special effects senior technician |
Mason Ball | .. | creature performer (uncredited) |
Julian Checkley | .. | sculptor (uncredited) |
Tim Jordan | .. | special effects crew (uncredited) |
Anthony Lucero | .. | special effects assistant (uncredited) |
Simon Quinn | .. | special effects technician (uncredited) |
Bill Turpin | .. | sculptor (uncredited) |
Anne Marie Walters | .. | special effects technician (uncredited) |
Visual Effects by
Julie Adrianson-Neary | .. | digital compositor |
Charles Alleneck | .. | animator |
Stephen Aplin | .. | modeler |
Jeffrey Arnold | .. | digital compositor |
Carol Ashley | .. | inferno artist: Digiscope |
Lance Baetkey | .. | paint/roto artist |
Lloyd Lee Barnett | .. | digital compositor |
Craig Barron | .. | visual effects supervisor: Matte World Digital |
Victoria Beharrell | .. | data aupport: CFC |
Jennifer C. Bell | .. | visual effects producer |
Suzanne Berger | .. | digital artist |
John Andrew Berton Jr. | .. | visual effects supervisor (as John Berton) |
Rudi Bloss | .. | senior animator: ILM |
Stella Bogh | .. | digital compositor |
Brigitte Bourque | .. | digital compositor: ILM |
Colin Brady | .. | pygmy animation supervisor: ILM |
Billy Brooks | .. | digital effects artist: ILM |
Jon R. Brown | .. | location match mover |
Ron Bublitz | .. | creature wrangler |
David Bullock | .. | software research and development: ILM |
Carey Burens | .. | visual effects assistant editor |
Colin Campbell | .. | digital compositor |
Mario Capellari | .. | digital artist |
Cedrick Chan | .. | digital matchmove: ILM |
Sophia Chowdhury | .. | assistant sculptor |
Ian Christie | .. | digital effects artist |
Richard Clarke | .. | technical director |
William Clay | .. | matchmove artist: ILM |
Grady Cofer | .. | visual effects compositor: Digiscope |
Pat Conran | .. | visual effects artist |
Michael Conte | .. | compositor: ILM (as Mike Conte) |
Caitlin Content | .. | sabre artist |
Glenn Cotter | .. | 3D artist: Matte World Digital |
Carole Cowley | .. | visual effects producer |
Catherine Craig | .. | viewpaint supervisor |
Gregory Creaser | .. | imaging supervisor: Digiscope |
Enid Dalkoff | .. | digital artist |
Scott David | .. | compositor |
Fon Davis | .. | modelmaker: ILM |
Joel Davis | .. | software research and development: ILM |
Tabitha Dean | .. | visual effects editorial: CFC |
Robert DeHaan | .. | video technical assistant: ILM |
Lou Dellarosa | .. | digital character animator |
Krystyna Demkowicz | .. | visual effects producer: Matte World Digital |
Jason Dowdeswell | .. | digital compositor |
Richard Ducker | .. | digital artist: ILM |
Louis Dunlevy | .. | CG animator: CFC |
Timothy Eaton | .. | visual effects editor: ILM |
Selwyn Eddy | .. | matchmove artist |
Emily Edwards | .. | on-set visual effects production coordinator |
Julia Egerton | .. | digital lab: CFC |
Christopher Evans | .. | digital matte artist: Matte World Digital |
Bill Eyler | .. | digital compositor: ILM |
Leigh Ann Fan | .. | Visual Effects Production Assistant |
Tom Fejes | .. | digital artist |
Aaron Ferguson | .. | visual effects |
Scott Frankel | .. | digital artist |
Fortunato Frattasio | .. | digital artist |
Alexandre Frazao | .. | motion capture engineer: ILM (as Alex Frazao) |
David Fuhrer | .. | digital artist: ILM |
Todd Fulford | .. | digital artist |
Elton Garcia | .. | visual effects compositor: Digiscope |
Gonzalo Garramuno | .. | digital artist |
Ray Gilberti | .. | effects director of photography |
Adam Glasman | .. | digital lab colourist: CFC |
Paul Goodfellow | .. | CG animator: CFC |
Jeff Grebe | .. | technical support: ILM |
Caroleen Green | .. | digital matte artist: ILM |
Darrel Griffin | .. | data aupport: CFC |
Doug Griffin | .. | motion capture engineer: ILM |
Paul Griffin | .. | animation sequence supervisor |
Branko Grujcic | .. | digital artist |
Jon Guidinger | .. | model maker: ILM |
Andy Hague | .. | visual effects editorial: CFC |
Mark Hamilton | .. | technical director |
Tim Harrington | .. | animator: ILM |
Sean Hedges-Quinn | .. | model maker |
Neil Herzinger | .. | digital artist: ILM |
Rebecca Heskes | .. | viewpaint artist |
David Hisanaga | .. | technical director: ILM |
Henrik Hoffgaard | .. | digital lab: CFC |
Jan Hogevold | .. | head of digital lab: CFC |
Aaron Holly | .. | creature developer: ILM |
Ivo Horvat | .. | matte painter: ILM |
Jen Howard | .. | compositor |
Paul Huston | .. | digital matte artist |
Oliver James | .. | software developer: CFC |
Patrick Jarvis | .. | digital painter: ILM |
Daniel Jeannette | .. | animation supervisor |
Ian Jenkins | .. | technical support: ILM |
Merrin Jensen | .. | digital lab: CFC |
Drew Jones | .. | visual effects executive producer: CFC |
Matt Kasmir | .. | compositing artist: CFC |
Louis Katz | .. | digital matte artist |
Lucy Killick | .. | visual effects coordinator |
Jeanmarie King | .. | visual effects coordinator |
Keiko Koyama | .. | digital effects coordinator: Digiscope |
Ed Kramer | .. | sequence supervisor |
Erik Krumrey | .. | lead technical director |
Brad Kuehn | .. | visual effects supervisor |
Greg Kyle | .. | animator: ILM |
Kimberly Lashbrook | .. | digital compositor |
David Latour | .. | animator: ILM |
Derek Ledbetter | .. | visual effects |
Don Lee | .. | digital compositor |
Kerry Lee | .. | visual effects |
John M. Levin | .. | visual effects coordinator |
Neil Lim Sang | .. | technical animator: ILM |
Victoria Livingstone | .. | digital character animator |
Daniel Lobl | .. | digital artist |
Brendan Lonergan | .. | practical modeller |
Roz Lowrie | .. | visual effects editorial: CFC |
Jonathan Lyons | .. | animator |
Andrew MacRitchie | .. | visual effects editor |
Robert Marinic | .. | computer graphics supervisor |
Scott Marriott | .. | digital paint artist: CFC |
David Marsh | .. | visual effects: ILM |
Kevin Martel | .. | animator |
Justin Martin | .. | CG animator: CFC |
Kent Matheson | .. | matte painter |
Erik Mattson | .. | digital artist: ILM |
Morris May | .. | digital effects artist |
Ann McColgan | .. | CG staff: ILM |
Steve McGrath | .. | modeler |
Jennifer McKnew | .. | digital artist: ILM |
Joel Meire | .. | digital artist: CFC |
David Meny | .. | computer graphics supervisor |
Justin Mettam | .. | digital artist |
Joseph Metten | .. | digital effects artist: ILM |
Richard Miller | .. | sculptor |
Chris Mitchell | .. | lead technical animator: ILM (as Christopher Mitchell) |
Mark Moore | .. | character design supervisor: ILM |
David Manos Morris | .. | CG matchmove artist |
Katie Morris | .. | digital paint and roto artist |
Myles Murphy | .. | digital effects artist |
Aaron Muszalski | .. | digital rotoscope and paint artist: ILM |
Mark Nelmes | .. | digital visual effects supervisor: CFC |
Brett Northcutt | .. | digital matte artist |
Rick O'Connor | .. | CG animator |
Michael Olague | .. | visual effects gaffer |
Khatsho John Orfali | .. | digital artist |
Michael Orlando | .. | computer graphics artist (as Michael Orlando II) |
Dominic Parker | .. | supervising CG animator: CFC |
Bob Powell | .. | visual effects: technical director |
Bruce Powell | .. | digital artist |
Mark Powers | .. | animator: ILM |
Henry Preston | .. | computer graphics sequence supervisor: ILM |
Scott Prior | .. | digital effects artist |
Janet Quen | .. | digital effects compositor |
Mathieu Raynault | .. | matte artist |
Rick Rische | .. | lead matte artist: ILM |
Paul Rivera | .. | digital compositor: Matte World Digital |
Dylan Robinson | .. | digital artist |
Chad Rogers | .. | data support: CFC |
Michael Root | .. | digital compositor |
Seth Rosenthal | .. | motion capture supervisor: ILM |
Thomas Rosseter | .. | compositing supervisor |
Eric Roth | .. | matchmove artist |
Jose Ruisanchez | .. | visual effects coordinator |
Mike Sanders | .. | motion capture engineer: ILM |
Durant Schoon | .. | digital artist |
Paul Sharpe | .. | digital artist |
Amy Shepard | .. | digital paint & roto artist |
M. Zachary Sherman | .. | digital effects artist |
Dave Sidley | .. | animator |
Dominic Sidoli | .. | visual effects line producer: CFC |
Philip Sisk | .. | visual effects compositor: Digiscope |
Brian Sorbo | .. | digital compositor |
Kev Stenning | .. | laser scanning |
Maria Stroka | .. | digital lab operator |
Mary Stuart | .. | visual effects producer: Digiscope (as Mary Stuart-Welch) |
David Sullivan | .. | paint/roto artist |
Doug Swam | .. | computer systems engineering |
Catherine Tate | .. | digital artist: ILM |
Melissa Taylor | .. | visual effects production executive |
Noah Taylor | .. | lighting technical director |
Gavin Toomey | .. | compositing artist: CFC |
Delio Tramontozzi | .. | character animator: ILM |
Marjolaine Tremblay | .. | lead animator: ILM |
Morgan Trotter | .. | 3D artist |
Megan Upcraft | .. | motion capture engineer: ILM |
Paola Varvaro | .. | digital cleanup artist |
Danny Wagner | .. | character design group |
Talmage Watson | .. | matchmove artist |
David Weinstein | .. | animator: ILM |
Corrina Wilson | .. | digital paint artist: CFC |
Gordon T. Wittmann | .. | visual effects production assistant |
Eric Wong | .. | motion capture engineer: ILM |
Doug Wright | .. | motion capture engineer: ILM |
Susumu Yukuhiro | .. | digital matte artist |
Heidi Zabit | .. | digital artist |
Wei Zheng | .. | digital matte artist |
Lauren Abrams | .. | model miniatures (uncredited) |
Duncan Blackman | .. | matchmove artist (uncredited) |
Erik A. Candiani | .. | technical support (uncredited) |
Aric Cheng | .. | set designer: ILM (uncredited) |
Zachary Cole | .. | technical support: ILM (uncredited) |
Christopher Grandel | .. | trailer digital effects, Howard Anderson Company (uncredited) |
David 'Rudy' Grossman | .. | creature developer: ILM (uncredited) |
Lloyd Hess | .. | technical support (uncredited) |
Christopher Horvath | .. | technical director: ILM (uncredited) |
Gary Jackemuk | .. | digital compositor: Howard Anderson (uncredited) |
Benton Jew | .. | creature designer: ILM (uncredited) |
Stuart Lowder | .. | manager (uncredited) |
Kristen Millette | .. | Sabre artist (uncredited) |
Kevin Rafferty | .. | visual effects aerial unit director (uncredited) / visual effects plate supervisor (uncredited) |
Kevin Reuter | .. | digital effects artist: ILM (uncredited) |
Hilda Saffari | .. | assistant visual effects editor (uncredited) |
George Sakellariou | .. | production engineering: ILM (uncredited) |
Tristan Tom | .. | digital matte technical support: ILM (uncredited) |
Chi Chung Tse | .. | animator (uncredited) |
Paige Warner | .. | motion control and digital integration: ILM (uncredited) |
Stunts
Younes Afroukh | .. | stunt performer |
Eugenio Alonso Yenes | .. | stunts (as Eugenio Alonso) |
Krystal Archer | .. | stunts |
Leo Arroyo | .. | stunt performer |
Faycal Attougui | .. | stunts |
Lee Bagley | .. | stunts |
Del Baker | .. | stunts |
Georges Branche | .. | stunts |
Terry Cade | .. | stunts |
Bruce Cain | .. | stunts |
Greg Campbell | .. | stunt department coordinator |
Ricardo Cruz | .. | stunts |
Ray De-Haan | .. | stunts |
Kelly Dent | .. | stunts |
Steve Dent | .. | stunt coordinator |
Nrinder Dhudwar | .. | stunts |
Bradley Farmer | .. | stunts |
David Forman | .. | stunts |
Amanda Foster | .. | stunts |
Pedro García García | .. | stunts (as Pedro García) |
David Garrick | .. | stunts |
Nic Goodey | .. | stunts |
Steve Griffin | .. | stunts (as Steve Street) |
Carly Harrup | .. | stunts |
Dee Harrup | .. | stunts |
Paul Heasman | .. | stunts |
Mark Henson | .. | stunts (as Franklin Henson) |
Dusan Hyska | .. | stunts |
Othman Ilyassa | .. | stunt performer |
Rob Inch | .. | stunts |
Rowley Irlam | .. | stunts |
Stewart James | .. | stunts (as Tidd James) |
Morgan Johnson | .. | stunts |
Hiro Koda | .. | fight director |
Ivo Kristof | .. | stunts (as Ivo Kristov) |
Theo Kypri | .. | stunts |
Robert Lahoda | .. | stunts |
Stephanie Lelievre | .. | stunts |
Gérard Lesage | .. | stunts |
Miroslav Lhotka | .. | stunts (as Miroslav Lahotka) |
Guy List | .. | stunts |
Philippe Losson | .. | stunt performer |
Paul Lowe | .. | Alex stunt double |
Tony Lucken | .. | stunts |
Tom Lucy | .. | stunts |
Chris Manger | .. | stunts |
Andy Merchant | .. | stunts |
Peter Miles | .. | stunts |
Mark Mottram | .. | stunts |
Mark Anthony Newman | .. | stunts |
Brian Nickels | .. | stunts |
Peter Pedrero | .. | stunts |
Martin Pemberton | .. | stunts |
Dinny Powell | .. | stunts |
Gary Powell | .. | assistant stunt coordinator |
Dominic Preece | .. | stunts |
Cedric Proust | .. | stunts |
Buster Reeves | .. | stunts |
Seon Rogers | .. | stunts |
Gordon Seed | .. | stunts |
C.C. Smiff | .. | stunts (as CC Smiff) |
Rocky Taylor | .. | stunts |
Mustapha Touki | .. | stunts |
Lynda Van Den Berg | .. | stunts |
Reg Wayment | .. | stunts |
Peter White | .. | stunts |
William Willoughby | .. | stunts (as Will Willoughby) |
Ben Bellman | .. | stunts (uncredited) |
Nicola Berwick | .. | stunt double: Rachel Weisz & Patricia Velasquez (uncredited) |
Steve Caswell | .. | stunts (uncredited) |
Kelly Dent | .. | stunt double: Rachel Weisz (uncredited) |
Ben Dimmock | .. | utility stunts (uncredited) |
Joss Gower | .. | stunts (uncredited) |
Dee Harrup | .. | stunt double: Patricia Velasquez (uncredited) / stunt double: Rachel Weisz (uncredited) |
Mark Henson | .. | stunt double: Brendan Fraser (uncredited) |
Paul Howell | .. | stunts (uncredited) |
Rob Inch | .. | stunt double: Arnold Vosloo (uncredited) |
Adam Kirley | .. | utility stunts (uncredited) |
Hiro Koda | .. | stunts (uncredited) |
Dimo Lipitkovsky | .. | stunts (uncredited) |
Russell MacLeod | .. | stunts (uncredited) |
Dominic Preece | .. | stunt double: John Hannah (uncredited) |
Joey Preston | .. | stunt double: Brendan Fraser (uncredited) / stunts (uncredited) |
Lynda Van Den Berg | .. | stunt double: Rachel Weisz (uncredited) |
Camera and Electrical Department
Mik Allen | .. | focus puller |
Marc Atherfold | .. | clapper loader: second unit |
Roderick Barron | .. | camera operator: 'b' camera |
Ashley Bond | .. | focus puller: 'b' camera |
Neil Brown | .. | aerial first assistant camera |
Steve Casey | .. | electrician |
Michael Chambers | .. | gaffer |
Adam Dale | .. | aerial camera operator / aerial director of photography |
Gary Dormer | .. | electrical rigger |
Chris Dowling | .. | electrician |
Graham Driscoll | .. | rigging electrician |
Danny Espey | .. | electrician |
Mike Evans | .. | focus puller: second unit |
Shaun Evans | .. | clapper loader: 'a' camera |
John Flemming | .. | key grip |
Steve Foster | .. | gaffer: second unit |
Pat Garrett | .. | key grip: second unit |
Alan Grayley | .. | electrian/grip: second unit |
Steven Hall | .. | vfx cinematographer |
Keith Hamshere | .. | still photographer |
Paul Harford | .. | electric rigger |
Harvey Harrison | .. | director of photography: second unit |
Nick Kenealy | .. | assistant video operator |
Day Kevin | .. | gaffer |
Brad Larner | .. | assistant camera |
Stephen Lee | .. | video operator: London |
Simon Lucas | .. | rigging gaffer |
Clive Mackey | .. | focus puller: 'a' camera |
David Mackie | .. | camera trainee: second unit |
Vince Madden | .. | rigging gaffer: second unit |
Driss Marzak | .. | electrician |
Richard Merrell | .. | rigging electrician |
Pat Miller | .. | electrician |
Dean Morrish | .. | underwater first assistant camera |
Neil Munro | .. | electrician |
Philip Murphy | .. | grip |
Ian Murray | .. | rigger (as Ian Vincent Murray) |
Phil Murray | .. | grip |
Ben Perry | .. | clapper loader: 'b' camera |
Mohammed Hamza Regragui | .. | video assistant: Morocco |
Derek Russell | .. | grip: 'b' camera |
Andrew Shields | .. | video playback operator: second unit |
Tony Skinner | .. | electrician |
Ben Tilley | .. | camera trainee |
Alf Tramontin | .. | steadicam operator |
Andrew Watson | .. | best boy electric |
Les Weighell | .. | rigging electrician |
Simon Werry | .. | aerial camera operator |
Shawn White | .. | chargehand practical electrician |
Glyn Williams | .. | first assistant camera: aerial unit (as J. Glyn Williams) |
David Worley | .. | camera operator: 'a' camera |
Lee Gofford | .. | electrician (uncredited) |
Nick Pearson | .. | crane grip (uncredited) |
Rupert Power | .. | steadicam operator (uncredited) |
Ian Speed | .. | libra technician (uncredited) |
James Wade | .. | trainee camera (uncredited) |
Michael White | .. | practical electrician (uncredited) |
Animation Department
Miguel A. Fuertes | .. | lead animator |
Aaron Holly | .. | animation setup: ILM |
David Latour | .. | animator |
Rick O'Connor | .. | animator |
Magali Rigaudias | .. | character animator |
Andy Wong | .. | animator |
Casting Department
![Mummy Mummy](/uploads/1/2/3/7/123710189/818373057.jpg)
Hamid Ait Timaghrit | .. | extras casting |
Vanessa Baker | .. | adr voice casting |
Brendan Donnison | .. | adr voice casting |
Leor Mendel | .. | casting assistant |
Vicky Wildman | .. | casting assistant |
Richard Ducker | .. | extras casting (uncredited) |
Costume and Wardrobe Department
Lahcen Abbana | .. | costume assistant |
Paul Colford | .. | costume dailies |
Philip Goldsworthy | .. | wardrobe assistant |
Neil Murphy | .. | key costumer |
Steve O'Sullivan | .. | set costumer |
Margaret Pescott | .. | costumer |
Dana Schondelmeyer | .. | costumes |
Dulcie Scott | .. | costume coordinator |
Rupert Steggle | .. | wardrobe assistant |
William Steggle | .. | wardrobe assistant |
Hassan Taghriti | .. | costumer |
Ros Ward | .. | costume buyer |
Editorial Department
Jo Dixon | .. | apprentice editor |
Tzarina V. Edillon | .. | first assistant editor |
Rus Ekkel | .. | apprentice editor |
Hunter S. Ellis | .. | post-production coordinator (as Steven T. Ellis) |
Michael Gay | .. | assistant editor |
Michael Healey | .. | colorist |
Kevin Holt | .. | assistant film editor |
Chris Miller | .. | post-production services |
Ryan Pannell | .. | assistant color timer |
Jim Passon | .. | color timer |
Mark V. Phillips | .. | second assistant editor |
Ross Porter-Ward | .. | assistant editor |
Mark Sanger | .. | assistant editor: avid |
Andrew Walton | .. | editorial trainee |
Location Management
Mustapha Adidou | .. | location assistant |
Hisham Ajali | .. | location manager: Jordan |
Simon Crook | .. | assistant location manager |
Tom Crooke | .. | location assistant |
Driss Gaidi | .. | location manager: Morocco |
Souheil Hallaoui | .. | location trainee (as Souheil Halaoui) |
Jonathan Hook | .. | assistant location manager |
Martin Joy | .. | assistant location manager |
Simon McNair Scott | .. | location manager |
Zaky Fateen Abdel Wahab | .. | location manager: Egypt (as Zaki Abdel Wahab) |
Music Department
Glen Ballard | .. | music producer |
John Barclay | .. | musician: trumpet |
Tom Boyd | .. | musician: oboe soloist |
Heather Cairncross | .. | singer |
Andrew Crowley | .. | musician: trumpet |
George Doering | .. | musician |
Rob Fardell | .. | singer |
Andrew Findon | .. | musician: flute |
John Finklea | .. | music editor |
Sienna Finklea | .. | music editor |
Erik Jordan | .. | assistant music engineer |
Skaila Kanga | .. | musician: harp |
Kenneth Karman | .. | music editor |
Brian Kilgore | .. | musician: percussion |
Mark McKenzie | .. | orchestrator |
William Ross | .. | orchestrator |
Marni Sanders | .. | copyist |
Dennis S. Sands | .. | music scoring mixer |
Graham Sibley | .. | musician: tuba |
Alan Silvestri | .. | conductor |
David Slonaker | .. | orchestrator |
Steven L. Smith | .. | music preparation |
Jonathan Snowden | .. | musician: flute |
Jacqueline Tager | .. | assistant music editor |
James Thatcher | .. | musician: French horn |
Martin Tillman | .. | musician / musician: electric cello |
Sebastian Toettcher | .. | musician: cello |
Louise Di Tullio | .. | musician: flute |
Toby Wood | .. | assistant scoring engineer |
Transportation Department
Mustapha Ismaili Alaoui | .. | assistant transportation manager |
Phil Allchin | .. | transportation captain |
Hicham Regragui | .. | transportation coordinator |
Mark Russell | .. | driver: construction run around |
Matthew Strange | .. | vehicles: 4x4 |
Gerry Turner | .. | driver |
Glen Carroll | .. | driver (uncredited) |
Abdelhay Elanbassi | .. | transportation (uncredited) |
Other crew
Martin Adams | .. | jeweller |
Jennifer Allen | .. | aerial unit |
Karl Ayton | .. | runner |
Bi Benton | .. | production coordinator: Morocco |
Charles Bodycomb | .. | armorer: second unit |
Luke Boyle | .. | production runner |
Judy Britten | .. | production coordinator |
Rob Burgess | .. | key set production assistant |
Sylvie Chesneau | .. | script supervisor |
Gabe de Kelaita | .. | production support: ILM |
Sana El Kilali | .. | accountant: Morocco |
Loren Elkins | .. | assistant: Brendan Fraser |
Dave Evans | .. | armorer: second unit (as David Evans) |
Tina Falcone | .. | assistant accountant |
Steve Fletcher | .. | tutor |
Geoff Freeman | .. | unit publicist |
Kate Garbett | .. | assistant production coordinator: pre production |
Joanna Hamer | .. | stand-in |
Hind Hanif | .. | production coordinator: Morocco |
Julie Hanks | .. | assistant: Mr. Zepfel |
Sarah Hannam | .. | assistant: Ms. Weisz (as Sarah Hannam Davies) |
Richard Hooper | .. | supervising armorer |
Nicki Hughes | .. | personal assistant: Nick Dudman |
Sarah Hunt | .. | assistant production accountant |
Anne Karam | .. | double: Patricia Velasquez / stand-in: Patricia Velasquez |
Omar Khammash | .. | liaison officer: Jordan |
John Lambert | .. | buyer: creature effects |
Ben Lanning | .. | floor runner |
Ben Mansworth | .. | stand-in |
Lulu Morgan | .. | production coordinator: Jordan |
Julian Murray | .. | assistant accountant |
Rebecca Nelson | .. | assistant: Mr. Jacks |
Chris Palmer | .. | assistant: Sean Daniel |
Jesse Peckham | .. | assistant: Mr. Sommers |
Joel Proust | .. | horse master: Morocco |
Pascal Rossignol | .. | stand-in |
Jane Ryan | .. | production runner |
Christian Simpson | .. | double: Brendan Fraser |
Stuart Tyson Smith | .. | egyptology consultant (as Dr. Stuart Smith) |
Kelly Spearman | .. | production runner |
Michele Tandy | .. | financial controller |
Alistair Thompson | .. | production accountant |
Gemma Todd Smithers | .. | accounting assistant (as Gemma Smithers) |
Derek Warman | .. | fire officer |
Ty Warren | .. | production executive: Alphaville |
Virginia Whitwell | .. | assistant production coordinator (as Virginia Murray) |
Anna Worley | .. | script supervisor: second unit |
Kyle Cooper | .. | title designer (uncredited) |
Paul Sacks | .. | additional set production assistant (uncredited) / on-set production assistant (uncredited) |
Tony Smith | .. | armourer (uncredited) |
Martin Walker | .. | unit manager: re-shoots (uncredited) |
Eight years after Imhotep was first reincarnated, he is once again brought to life and embarks upon a quest for immortality and world domination, this time by trying to overcome another recently resurrected evil force, The Scorpion King. The only people w
That's not to say that the second instalment is a lost cause; as escapist, noisy (and indeed the thrills are on an ear-splitting level here) popcorn entertainment, it certainly delivers. The plot, however, gets thoroughly messy, as our heroes fuss over whether or not it's really wise to open ancient Egyptian chests covered in cobwebs, and their resourceful child (Boath) has to live with the consequences of putting on an antique bracelet which allows him to take a speeded-up virtual tour of ancient Egypt. Meanwhile, Fraser and Weisz find themselves involved with Imhotep and his band of undead followers, in such a convoluted way that they are forced to once again save the world from his grasp. You can guess the rest. Also caught up in all this is Hannah, reprising his toff in peril role to even more annoying effect, Velasquez as the kind of character you know was just included to get reincarnated and challenge Weisz to some nifty, post-Crouching Tiger catfights, and wrestler The Rock, whose triumphantly overblown billing as 'The Scorpion King' achieves little except to thoroughly disappoint his legion of tiny fans when they discover how little he is actually on screen.
Despite some neat set-pieces (highlights including a fast and furious man vs. mummy battle on a double-decker bus, and some seriously vicious pygmy mummies in the desert), the action takes too long and sags noticeably in the middle when stilted dialogue takes over from the special effects which are, unsurprisingly, the movie's real star. By the time the final reel happens along we're in familiar territory, with the CGI wizardry the audience will have paid to see unleashed in awesome, truly spectacular fashion. As crustaceans run riot and huge armies swarm the desert like marauding bugs, plot complications cease to become important and the action takes centre stage. If the rest of the movie had been so straightforward they'd have been on to a winner.
Those who disliked the first movie will find nothing to persuade them that this is a franchise worth bothering with, but for fans, The Mummy Returns delivers fun and spectacle.
'The Mummy Returns' may be the least original motion picture ever, and there's a lot of competition for that title these days. It even beats its 1999 predecessor, 'The Mummy,' because at least the first film wasn't stealing from itself in addition to the collected works of Steven Spielberg and George Lucas and Universal's 1930's genre films. This enterprise is to the movies what an average boy band is to pop; just because there's an audience for it doesn't mean it's any good.
The screenwriter Robert Towne ('Chinatown') once asserted that an audience will give a movie 10 minutes, believing that a picture doesn't have to put the pedal to the metal from the outset and that viewers will allow it to find a rhythm. We'd be lucky if 'The Mummy Returns' had 10 minutes of quiet, since it's crammed with enough action to make the Indiana Jones movies seem like a Henry James novel. Yet the noisome action sequences of 'The Mummy Returns' are preferable to the quiet times, when the cast is limited to spouting dialogue that is a banal combination of exposition and homily.
It's probably a good thing that 'The Mummy Returns' is stuffed with action. The only thing close to an original notion in this movie is that the hard-charging adventurer, Rick (Brendan Fraser, who has the sense of humor that Harrison Ford used to fall back on), and the archaeologist, Evelyn (Rachel Weisz), have married since the first film and are raising their 8-year-old son, Alex (Freddie Boath). The idea that action figures are capable of an adult attachment is almost revelatory; it makes us believe the movie might be invested in an emotionally honest moment or two, and that 'The Mummy Returns' might also be stealing from 'The Thin Man' series. But the closest thing to wit comes in the action scenes, for example when a double decker bus is turned into a convertible. The movie comes to life only during the martial portions, when two or three climactic battles are often yoked.
Both Alex and Evelyn are endangered (though she is much tougher than she was in the first 'Mummy') because Alex has strapped on the dangerous bracelet of the Scorpion King. 'You've started a chain reaction that could lead to the next apocalypse,' Ardeth Bay (Oded Fehr), the stalwart good guy, growls ominously, apparently unaware that since the action takes place in 1933, the audience has already figured out that the apocalypse did not happen.
The group has to slice and shoot its way through scores of extras and computer-generated assailants, and dodge trap doors, hidden chambers and scorpions with vocal cords -- they chatter like teenagers on cell phones -- on the way to a showdown with the Mummy himself, Imhotep (the poorly used Arnold Vosloo, who only gets to glower and flex his lats).
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'The Mummy Returns' pillages old movies the way the scavengers in these films steal from the sacred tombs. One scene includes lifts from both the 'Star Wars' films -- Imhotep does a Darth Vader -- and 'The Wizard of Oz.' The technique of Stephen Sommers, who returns as writer and director, brings to mind the credo of the comic book hero Hawkman, 'using the weapons of the past today.' Mr. Sommers goes all the way back to the he-man camp of the director Howard Hawks and to George Stevens's 'Gunga Din.' (To be sure, Mr. Lucas and Mr. Spielberg also owe Hawks royalties.)
Mr. Sommers's pilfering might be tolerable if he had a lighter touch, but he seems determined to leave as many thumbprints at the scene of the crime as possible, a 'stop me before I commit this crime again' motif. Yet the picture is energetic and unashamedly unoriginal and occasionally diverting, sometimes on purpose. The battles have a pro forma breathlessness, and Mr. Fraser's shaggy drollery provides a tone the director isn't quite up to. The actor slows down his Canadian cowpoke delivery even more than usual, so his eye-of-the-storm timing becomes the joke instead of his awful lines. Camfrog pro download full free.
Tha crossroads lyrics meaning. After flipping ’s suicide prevention song in “1 (773) Vulture” last month and returning to the scene last week with “,” the Chicago rapper decides to keep his foot on the pedal and share another song Monday night called “Cross Roads,” which hours earlier on social media. “Meet me at the cross roads, never be lonely/ I'm gonna miss everybody, I'm gonna miss everybody” he croons on the hook. Take a listen to the touching, slow tempo record and let us know what you think. Just as the title depicts, Durk puts an auto-tune spin on N Harmony’s 1995 hit song “Tha Crossroads,” while he reflects on those who've been taken from us too soon, including Capo & to name a couple.
Ms. Weisz is fun to watch when she has a chance to mock her lines and isn't staring off into the distance at a flashback from a previous life, as in a Shirley MacLaine autobiography. In 'The Mummy Returns,' Evelyn discovers she was an Egyptian princess in a past life, and we learn that satraps were white; this picture 'is just drenched with historical goodies like that,' to quote the film 'The Producers.'
Mummy Returns Full Movie
In an ensemble from the 'Terry and the Pirates' collection, everyone left standing in the previous 'Mummy' reprises his role, including the adroit John Hannah as Jonathan, Evelyn's craven brother. Even some who weren't left standing come back, like Patricia Velasquez, as the oft-reincarnated Anck-Su-Namun, though her performance here suggests she's channeling Jaye Davidson from 'The Crying Game.'
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In this movie for 9-year-old boys of all ages, there's a scene for older boys, too; Ms. Velasquez and Ms. Weisz have a back-in-the-day blade fight in Merrie Olde Egypt with flips and splits that make it look more like a number put on by the dancers from the Bada Bing. The black villains, like Adewale Akinnuoye-Agbaje playing a thug in a rough-trade outfit to show off his midriff and dancing pecs, are depicted in a way that may send a chill through you. Sometimes this movie is old-fashioned in the wrong ways.
Can the movies continue to create a sense of wonder? With the assistance of computer-enhanced special effects, they can put anything on screen, and yet, as 'The Mummy Returns' demonstrates, they sometimes do it so clumsily. Some of the effects are so laughable they barely seem to be in the same movie with the actors.
Mr. Sommers obviously loves old movies and wants his picture to evoke the awe that David Lean's 'Lawrence of Arabia' instilled, but he can't sit still. His sweeping scene of the desert is populated with computer-generated dog warriors -- the troops of the god Anubis -- with no difference in their movement. (Another throw-away scene, featuring a trip on a dirigible, is tossed out so the airship can become the Millennium Falcon while being chased by a wall of water. This may make children ask why dirigibles aren't still being used if they're as fast as helicopters.)
The opening of 'The Mummy Returns' -- which a title says takes place in Thebes in 3067 B.C., as if that matters -- is like the opening of a video game, the part you scroll past to get to the action. The Rock, as the Scorpion King, makes one of his brief appearances, and when he pleads to Anubis to help, with his arms flexed, it's as if he's challenging Stone Cold Steve Austin to a Texas Death Match on pay-per-view. (Perhaps the Scorpion King had to sell his soul to the devil for those pearly white teeth; they gleam like the treasures of the Nile.)
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The only question 'The Mummy Returns' presents that you may want answered is, what agent got the Rock $5 million for about 10 minutes of screen time? I want that guy's phone number. Defiant keyless entry.
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'The Mummy Returns' is rated PG-13 (Parents strongly cautioned). It has some strong language, intense sequences and violence, including the slaughter of what must be an entire hard drive's worth of computer-generated creatures of all sorts.
THE MUMMY RETURNS
Written and directed by Stephen Sommers; director of photography, Adrian Biddle; edited by Bob Ducsay; music by Alan Silvestri; production designer, Allan Cameron; produced by James Jacks and Sean Daniel; released by Universal Pictures. Running time: 125 minutes. This film is rated PG-13.
WITH: Brendan Fraser (Rick O'Connell), Rachel Weisz (Evelyn/Nefertiri), John Hannah (Jonathan), Arnold Vosloo (Imhotep), Oded Fehr (Ardeth Bay), Patricia Velasquez (Meela/Anck-Su-Namun), Freddie Boath (Alex), the Rock (the Scorpion King), Adewale Akinnuoye-Agbaje (Lock-Nah) and Shaun Parkes (Izzy).